John's Root People

At the end of July, I coincidentally exited the A train at 14th Street at the same time as John, who was visiting from Nevada.

I had been admiring his sleeve on the train, but didn't have the opportunity to speak to him about it until after he got off the subway.

He referred to these creatures as "Root People":

It's an abstract collaboration with the artist, Rickett, at The Ruby Lantern in Carson City, Nevada.

They started working together in January of this year, and they're not yet finished with the whole sleeve. As you can tell, it's very unusual and has a very unique approach.

These designs are all on John's right arm, and I am particular to the female tree person above on his inner forearm.

Thanks to John for sharing his Root People here with us on Tattoosday!

Tattoosday Goes To Hawai'i: Mark's Sleeve Pays Tribute to East and West

I spent a good chunk of time at Ala Moana Center one of the days I was in Hawai'i. Even in paradise, malls are great places for inkspotting.

It was there that I met Mark, who had a full sleeve to offer up.

Now, before we begin, let me just say that I generally shy away from featuring full sleeves here on Tattoosday, out of respect to the host, the artist and, most of all, the tattoo. A work of art laid across flesh is often difficult to express in two-dimensional photos on a computer screen.

But Mark's sleeve was exceptional and I loved the color detail in the work. So let's check it out....

Items to note in this work:

Mark was born in the year of the Snake, which explains the serpent.

He was also born during Autumn, which is why the Japanese Maple leaves are sporting fall colors.

It's also generally non-traditional to see a bright red rose in a sleeve that is predominantly Japanese. He incorporated because he is, as he described it, "hapa," a shortened form of "hapa haole," or a person of mixed heritage, part of which is Caucasian. To make a long story short, the red rose is a nod to the "Western" aspect of his lineage, as it is more a traditional element in tattoos in the west. The rose is complimented by the chrysanthemum, which is a more traditional Japanese flower design.

Similarly, the skull element at the top of the arm is more of a Western flavor, juxtaposed nicely with another chrysanthemum.

I also love the multicolored pebbles in the design. They really pop out, especially among the milder tones of the autumn leaves and snake scales.

Mark informed me that the whole sleeve was completed in five or six sittings by Lucky Olelo at Soul Signature Tattoo in Honolulu.

Thanks to Mark for sharing his amazing work with us here on Tattoosday!

All I Want for Christmas is a Tattoo with Teeth

On Christmas Eve afternoon, I was passing through Penn Station, I spotted Lindsay, a woman with what appeared to be a sleeve that had a water-inspired design.

It wasn't until after I approached her and asked if she wanted to contribute to Tattoosday that I saw, as she rolled up her sleeve, what awesome work she had done on her left arm:


Lindsay said that, like all of her 14 or 15 tattoos, none of them have "deep meaning". She just goes with whatever she describes as an "intense urge" at the time she's getting the tattoo.

The sleeve above started with her taking photos with stylings to the artist, saying she wanted a bloody shark. This was the first part of the tattoo:


She then expanded it with this segment of shark


which is certainly reminiscient of the movie poster for Jaws.


This piece was created in four sittings lasting 3-4 hours each, by John Reardon at Saved Tattoo (which was the shop responsible for yesterday's post, too).

Work from John Reardon has appeared here on Tattoosday previously. Work from Saved appearing on the site can be seen here. Reardon is also the author of The Complete Idiot's Guide to Getting a Tattoo.

Thanks to Lindsay for taking the time to share her incredible shark sleeve with us here on Tattoosday!

Merry Christmas and Happy Holidays!!